The Guardian Romantic Poets, a typographic piece by super talented Sean Freeman, advertising a series of guides to romantic poems by The Guardian
Central Avenue is a revival of Victorian hand drawn signage, created for graphics celebrating Birmingham’s 1886 Exhibition of Local Manufacturers and Natural History.
What was important was to not lose the essence of the original designs through digitising. We wanted to make sure that we managed to retain some of the awkwardness and personality that the man-made letter forms had. We also created a set of word logos to keep its Victorian roots evident.
Brand posters for Fossil designed by Brent Couchman. (via Grain Edit)
Coming Home is the latest Pictory showcase, this time guest designed by Matthew Buchanan.
I’m in love with the cross stitch embellishments—the manual anti-aliasing in the title is superb. Bonus points for using Eric Olson’s FIG. Seriously nice.
300&65 Ampersands
Showcasing a gorgeous new ampersand everyday.
Also worth following is the similar post-a-new-type-each-day tumblelog Specimenism.
5 Seasons of Russian Avant Garde exhibition catalogue cover by Designers United.
Seen these posters floating round the tubes for the past forever. Yes, another post about them cause they’re just that good.
Under The Milky Way poster series by Ross Berens. (via Ministry of Type)
Gig posters by Adam Hill. (via yay!everyday)
Melissa Price’s M1: 50 years, a hand-screenprinted book celebrating the 50th anniversary of the M1, the first inter-urban motorway in the UK. (via SeptemberIndustry)
Matthew Lyons’ fictional movie titles. (via Brandon Boyer)
